Towards the end of her starring role in Marvel's The Mighty Thor comics, Jane Foster ended her stint as Thor in the storyline Death of the Mighty Thor. In short, Jane's cancer became too severe and, after defeating the villain Mangog, Jane reverted back to her normal self and died in front of her love, Thor Odinson.
Thor found himself unable to accept Foster's death, so, with the help of Odin, used the power of the God Tempest that was contained in the destroyed Mjolnir to bring Jane back to life.
In 2018, Jane Foster died. In Mighty Thor #705, she saved the Norse pantheon from a foe no other god could defeat, and sacrificed her life in doing so, succumbing to the cancer ravaging her body. If you've seen Thor: Love and Thunder, you'll know that that's pretty much what happens in the movie as well.
It may have something to do with the fact that Patty Jenkins was initially supposed to direct The Dark World, much to Portman's excitement. However, the director then parted ways with Marvel Studios due to creative differences, which reportedly left the star feeling “deeply unhappy”.
With the return of Natalie Portman as Mighty Thor, the theme of starting a family could easily have been brought up, but the script chose to focus on an over-abundance of humor, which leads right into the next problem. Another way Love and Thunder fails is that the film doesn't take itself seriously.
The actor currently is not contracted for any more Marvel movies. He really wants to do “some other stuff for a while,” but he'll return if it's a creatively rich opportunity. “I love the experience,” Hemsworth said. “I love the fact that I've been able to do something fairly different throughout the process.
Therein lies Thor: Love and Thunder's biggest issue, its inability to balance tone and spectacle. Thor: Love and Thunder's editing routinely works against Taika Waititi's film, often undoing the emotional work the film is attempting to deliver.
Reportedly, Portman's first attempts to extricate herself from the Marvel Cinematic Universe began during the first stages of producing a sequel to Thor, when she was considering a several-year break from acting to spend more time with her first child, born in 2011.
Her return to the franchise was a major coup—not just because it would bring a distaff version of Thor to theaters, but because Portman had not participated in the previous movie, having declared in 2016 that she was “done” with the MCU.
Portman has never directly addressed the reasons for her initial departure from the MCU, though sources have indicated it was essentially due to creative differences during the production of Thor: Dark World.
Gorr's daughter is played by India Rose Hemsworth, the daughter of Thor himself, Chris Hemsworth, and actress Elsa Pataky. Hemsworth has talked about how his children are in the movie, saying "...Taika had his children in there. Christian Bale had his.
In a moment of wistful affection for his girlfriend, Thor asked his trusty hammer to always protect Jane, and in doing so unwittingly enchanted Mjolnir to do just that. Just like Thor's father Odin once enchanted the hammer to only be lifted by someone who is worthy, Thor cast a spell that let Jane use its powers.
In their attempts, Jane tells him, "She won't be alone," signaling the fact that Thor would take the girl under his wing. Finally, before she passes, she tells Thor to keep his heart open, bringing Jane and Thor's story to a heartbreaking close.
Conclusion: Thor
Despite Mighty Thor being just as powerful, as she has the powers of Thor, it is Odinson who wins based on fighting experience, hardships, and how, against all odds and even with the loss of Jane, he is still just as strong and eager to keep up the fight against evil.
Love is the daughter of Gorr the God Butcher, whose death by starvation triggered her father's murderous crusade against all gods for forsaking them.
In short, Jane's cancer became too severe and, after defeating the villain Mangog, Jane reverted back to her normal self and died in front of her love, Thor Odinson. Jane's spirit awakens in Valhalla, where she is greeted by Odin.
Jane Foster is Thor's latest successor, both in the comics and in the MCU. Mjölnir adopted Jane as its master in the midst of her battle with cancer.
Following his defeat, Thor began to refer to himself as merely Odinson, wallowing in his loss and humiliation. It wasn't until 2016's Unworthy Thor #5, by Jason Aaron, Olivier Coipel, Kim Jacinto and Pascal Alixe, that Thor finally revealed that the words Fury had said to him were simply, "Gorr was right."
Chris Hemsworth will always be Thor, but the “Mighty Thor” title that was helmed by the character and actor from Thor (2010) to Avengers: Endgame (2019) is shifting to Natalie Portman's Jane Foster.
Jane Foster was simply an old flame of Thor's; she is his one great love, the one he never really recovered from losing. In a montage narrated by Korg (Taika Waititi) and “Our Last Summer” by ABBA playing in the background, audiences get to see how loving of a relationship they really had.
Upon saving Asgard from Ragnarok, Odin forces her to relinquish the hammer to Donald Blake so he can become the new Thor. This resulted in Jane losing her powers, but she was allowed to remain on Asgard and keep her goddess status since she later falls in love with and marries Thor.
In addition, Natalie took a short break from acting to spend more time with her child, and it seemed her break with Marvel was most likely permanent (as there were behind-the-scenes reports that alleged some bad feelings with the studio). Reports stated Marvel hired Patty Jenkins to direct a movie before Ragnarok.
In the comics, the original Thor (let's call him “Thor Classic”) finds himself unworthy of wielding the Mjölnir hammer, which means it has fallen from his grasp and cannot be lifted. There it stays, stuck on the moon, until a woman appears and picks it up—finding herself imbued with all the powers of a thunder goddess.
The organization's specific grievances are as follows: “Rated PG-13, Thor: Love and Thunder includes many LGBTQ innuendos and an abundance of euphemisms, but a few scenes are not downplayed at all. The alien character named Korg mentions having two dads, and he has hand sex with another member of his species.
A few years ago, an omnipotently powered Nick Fury spoke a single sentence to Thor. It was something so profoundly soul-stirring that his ability to wield Mjolnir was wrenched from him, and he became nothing more than the Odinson rather than the God of Thunder.