Yes, you can sell a movie idea, but studios and producers buy scripts, not just concepts; you need to develop your idea into a detailed treatment or screenplay, often register it for protection, and then pitch it to industry professionals like agents or producers who can help get it made, but be aware that selling just an idea is very difficult, as most success comes from a well-developed script.
You still need all the shooting, acting and production, which is orders of magnitude more work than just writing a script. So no, you cannot sell ``a movie idea'', because a movie idea is not a thing with any kind of value. There are more movie ideas than there ever will be movies, so why would anyone ever pay for one?
According to WGA data, Netflix's median screenplay deal is $375,000, while Amazon offers a median of $300,000. Netflix tends to provide higher upfront payments compared to some of its competitors.
iPITCH.TV gives Screenwriters, Filmmakers and Creators the potential to pitch TV and Movie ideas by submission in our marketplace. Submit your Film, TV or New Media idea with a sizzle reel, screenplay, verbal video pitch, short film, student film, narrative feature, pilot, documentary, web series and more.
Try social media, or perhaps a website about the idea with some illustrations or pics to turn it into a viable story that people will follow. Once you have some online exposure, you can submit to a few studios or, better yet, to an independent filmmaker.
Unfortunately, we cannot and do not accept or review any materials (whether manuscripts, treatments, scripts, drawings, ideas, pics of rainbow-colored unicorns, etc.) that we do not specifically request.
These three super simple rules will transform your footage and prevent editing nightmares from ruining your films. Change your camera position by a minimum of 30 degrees if you want your shots to cut together. Ensure your shots are a minimum of 20% different from each other to guarantee cuttability in the edit suite.
The 2.5x rule in movies is a common guideline stating a film needs to earn 2.5 times its production budget at the box office to break even, covering both production and significant marketing (P&A) costs, plus theater share. It's a simplified rule of thumb because studios get roughly half the box office revenue, and marketing can equal production costs, meaning studios need a large gross to see profit. While useful for quick estimates, actual profitability varies greatly depending on distribution deals, domestic vs. international splits, and other revenue streams.
When comparing the two streamers, Netflix generally pays notably more than Amazon for these screenplay deals, with median total guaranteed compensation of $375,000 versus $300,000 at Amazon. Almost a quarter of these deals begin with a treatment, more commonly at Netflix.
What company is paying $2500 to watch Christmas movies? CableTV.com, a news outlet that focuses on topics in TV and streaming, runs the “Chief of Cheer” Holiday Dream Job each year. It pays one person $2,500 to watch 25 Christmas movies in 25 days.
If a user watches at least two minutes of a movie, TV show, or original series, it counts as a view. The company has revealed exactly why they decided on that as their viewing metric. In a letter to shareholders released on January 21, Netflix explained why this change was made.
How to pitch a movie idea
ASA (Area Standards Agreement) = Feature Films with budgets above $15M and most TV series LBA (Low Budget Agreement): Feature Films with budgets below $15M • Ultra Low/Tier 0: Below $3M • Tier 1A: $3M – 6.25M • Tier 1B: $6.25M – 9M • Tier 2: $9M – 12.5M • Tier 3 : $12.5M – 15M Most films that shoot in Mississippi will ...
Take your idea, learn to write a screenplay, and then do that. It may take time, but work on it until you're happy, and then try to find a producer interested in the concept to take it further. They will then try to find a studio willing to make your screenplay into a film. Approach this as an Executive Producer.
The real worth hinges on its market potential, scalability, feasibility, and the strategic plan for execution. Therefore, while the idea itself is vital, how it is transformed into a market-ready product or service equally influences its potential value.
The only thing that matters is the execution of the idea and you can't execute the idea. The person who can, they'll get paid but you won't get a nickel and this is not just in Hollywood. This is in every single industry across the world.
The Industry Standard Spec Sale
If it's a low budget film (a production with a budget under 5 million), the WGA minimum for an original screenplay is $77,495 dollars. If it's a high budget film (a production with a budget of 5 million or more), the WGA minimum for an original screenplay is 145,469 dollars.
Netflix will charge advertisers CPMs (cost per thousand viewers) between $20 and $30 for some of its ad inventory, the buyers said. Netflix will charge $20 for a 15-second ad slot and $25 for a 30-second ad slot, one buyer said, while another buyer said Netflix was charging in the high-$20 range.
For those who didn't know, Amazon recently announced that they will be reducing their payout rate to filmmakers to as low as $0.01 per hour of streaming (1 cent), starting January 2020. Their current payment was $0.04 to $0.06, which is already low, but now they're going rock bottom.
However, history has shown that even with modest budgets, a well-executed film can achieve extraordinary financial success. Films made with small budgets often provide a unique advantage: they carry lower financial risks, and when successful, they can provide investors with an outstanding return on investment.
The first actor paid $1 million for a single movie role is often cited as Marlon Brando for Mutiny on the Bounty (1962), but Elizabeth Taylor secured a $1 million contract for Cleopatra (1963) that included significant box office bonuses, making her the first to earn that much, while Mary Pickford had a $1 million contract for multiple films earlier (1916).
What is the 60-30-10 Rule? This is a rule that breaks down the color palette of a scene into three distinct percentages: 60% Dominant Color: This color forms the foundation of the scene's visual identity, setting the overall mood and tone.
Filmmaking is a collaborative process. You get the chance to work with others whose minds and ideas may be stronger than your own. Make sure they remain focused on their own function and not someone else's job, or you'll have a big mess. But treat all collaborators as equals and with respect.
Christopher Nolan broke a major filmmaking rule when he created this scene here in the Dark Knight between Joker and Batman. I'm going to talk about the rule he broke here. It's called the 180degree rule.
If you shoot 400 ISO film as 800, that is a 1 stop underexposure which will require a 1 stop push in development by processing it as an 800 ISO film. If you shoot a roll 1 stop under-exposed and don't push in development, your photos will be under-exposed.