They are inauthentic. You don't believe what they're saying, the emotions they are expressing, or their movements onscreen or onstage. Bad actors make the most predictable choices at any moment—it's a performance you've already seen before.
In the theater, you should never wish an actor “good luck.” That is considered to be unlucky. (I told you. They have strange customs.) Instead, you should say to them, “Break a leg!”
The three actors' rule, always strictly applied, limited the number of actual persons allowed to play these parts to three. This means that the actors in a production had to take on more than one role or part in a given play. The three actors had to portray all the roles in any classical drama.
It requires professionalism, enthusiasm, and awareness. While there are always a variety of roles available, ideal Scare Actors are outgoing individuals who show up on-time ready to go, can think quickly on their feet (and in character), and handle the physically demanding environment inside the attractions.
A person is never supposed to wish an actor “good luck,” but instead they are supposed to say “Break a leg!” Though it may seem maudlin to do so, many theater folk believe there are mischief-making spirits of the stage who use their magic to force the opposite of what you wish to happen.
"Break a leg" is a typical English idiom used in the context of theatre or other performing arts to wish a performer "good luck". An ironic or non-literal saying of uncertain origin (a dead metaphor), "break a leg" is commonly said to actors and musicians before they go on stage to perform or before an audition.
The most common cases of bad theatre etiquette involve audience members talking incessantly, making excessive noise through some questionable choices of food (Seriously, can't you find sweets that DON'T rustle? Or at the very least, wait until the interval) and an increased use of people checking their phones.
Often times, a simple “no, thank you” is plenty. Long rejections can feel like they're beating around the bush, while applicants search for their “yes” or “no.” If you don't have something specific you feel you need to say, then say it as simple and uncomplicated as possible.
One of the biggest challenges for actors is to be believable and truthful. In fact, for most actors this is all that they are after.
Talking and horseplay during can be disruptive, distracting, and, at times, dangerous. Practical jokes have no place in performance - ever. An actor never gives another actor an unsolicited note on performances. Actors should arrive at costume fittings on time.
So, turning down an opportunity may seem unthinkable. But there are times when it may be necessary. There are some auditions you may have to pass on. That's especially true if it compromises your safety, health, privacy, morals or dignity.
In Australian theatrical circles saying "good luck" is also avoided, but the replacement is often "chookas!" This may be due to the belief among some dancers that saying "break a leg" may actually result in broken bones.
Do not direct, coach, or offer opinions or suggestions about scene work to your fellow cast members. All ideas and suggestions should be given to the Director at the appropriate time. Accept all notes from the Director/Stage Manager and say, “Thank you.” Never disagree with the Director in front of the cast.
If you were to tell the actor to “break a leg,” you were wishing them the opportunity to perform and get paid. The sentiment remains the same today; the term means “good luck, give a good performance.” No matter which version you choose to believe, well-wishes are always appreciated.
“When you're whispering, you're making a choice to restrain your expressiveness,” Urbaniak said. “This is very much in keeping with an old leading-man tradition of conveying strength through restraint.” John Wayne didn't Talk Like This, but his voice still confined his expressiveness, which made him appear strong.
1) Saying “Macbeth” in the theatre curses the production.
It's said that the actor playing Lady Macbeth tragically died on opening night in 1606 and Shakespeare himself had to step in. Dueling Macbeth productions in New York caused the great Astor Place Riot in 1849, leaving at least 25 dead and hundreds injured.
The actor that can learn to let go and have fun with their performances will often be seen as the better actor. This doesn't mean that shy actors aren't talented though. Actors that consider themselves shy can still give amazing performances, once they're comfortable and learn to let go.
Confident actors focus on their strengths and the palpable joy that brought them to the field of acting in the first place. They have a calling to be playful, expressive and receptive, to connect, and to feel deeply. They are devoted to the development of their craft and are passionate about their work.