The Male Gaze is a term coined by
According to feminist theory, the male gaze is a sexualized way of portraying women. By objectifying women, the male gaze represents women through the sexual desires of heterosexual male viewers. It depicts the female body and personality as an object for men to view, own, and conquer.
Seeing women and girls continually portrayed in this way by the male gaze perpetuates this vision. Particularly salient examples are images of little girls on dance teams or pageants dressed in revealing outfits, faces in full makeup, dancing in a sexualized manner.
The “male gaze” invokes the sexual politics of the gaze and suggests a sexualised way of looking that empowers men and objectifies women. In the male gaze, woman is visually positioned as an “object” of heterosexual male desire.
Which statement best describes the Male Gaze Theory? It is the unwanted attention that women experience from men in social settings.
The male gaze can be seen when a woman in a movie wears an outfit that shows her cleavage or if she is being objectified sexually by the camera.” In the past, photography has been a male-dominated profession. The camera was seen as a phallic symbol and the photographer would often be called “The Male Gaze.”
Movies such as Rebecca and Stella Dallas are examples of such films in which the traditional narrative is told through the female protagonist. This genre of film evolved into "chick flicks" such as 27 Dresses and The Devil Wears Prada.
The male gaze is a theory developed in the 1975 essay entitled "Visual Pleasure and Narrative Cinema" by film psychologist Laura Mulvey who states, “In a world ordered by sexual imbalance, pleasure in looking has been split between active/male and passive/female.
“Traditionally, the woman displayed has functioned on two levels: as erotic object for the characters within the screen story, and as erotic object for the spectator within the [cinema] auditorium.”
What is the female gaze? The female gaze wasn't coined until after feminist film theorist Laura Mulvey first began dissecting the male gaze in her 1975 essay "Visual Pleasure and Narrative Cinema(opens in a new tab)," in which she writes that the male gaze projects a male fantasy onto the female figure on film.
Oftentimes, dressing for the male gaze includes formfitting clothing, neutral tones, short skirts or dresses, and minimal prints. In contrast, women have come into the notion of dressing “for the female gaze”. The female gaze views women's lives based on visual outward aesthetics unrelated to their bodies.
The female gaze was the term created by feminist film theorist Laura Mulvey, who used it to counter the male gaze in movies. As you can imagine, the female gaze in the films was quite the opposite of the male gaze.
The male gaze is a feminist theory that states that cinema narratives and portrayals of women in cinema are constructed in an objectifying and limiting manner to satisfy the psychological desires of men, and more broadly, of patriarchal society.
In a majority of slashers, the male gaze depicts women as objects for the pleasure of the male viewer, through the eye of the camera (Bertling, 2016, p. 3). The male gaze became popularized through slasher movies.
Seen in the light of the x-ray, the female body became of particular interest on the doctor's table with the male gaze penetrating a previously hidden interior world. Sometimes a male character appears, usually to approve of or admire the gorgeous hair the product had created, but often the male gaze is implied.
This worksheet introduces you to one influential theory developed by the filmmaker and academic Laura Mulvey in the 1970s: the male gaze.
Dressing for the male gaze simply means dressing for the appreciation of a man. The desire for male attention is not an uncommon desire, especially as you search for a future spouse or continue to impress the man you married.
The male gaze includes but is not limited to turning women into objects in film, television, or other visual media. Specifically, the male gaze is an always-incomplete solution to anxiety produced by looking. In other words, objectification is an attempt at a solution to the problem of the (male) gaze.
The oppositional gaze serves as "a gesture of resistance" to not only the male gaze but also toward the oppression of minorities through cinema by the all-inclusive gendering of woman. This gaze criticizes the doubling effect of objectification by "turning away [as] one way to protest, to reject negation".
"Male sexual objectification" involves a man being in publicity in a sexual context. Instances where men may be viewed as sexualized can be in advertisements, music videos, films, television shows, beefcake calendars, women's magazines, male strip shows, and clothed female/nude male (CFNM) events.
Mulvey described the Male Gaze to be the phenomenon of expression and interpolation of patriarchal ideology, through this three-way matrix of cinematic looking.
Many male gaze shots come in medium close-up shots of women from over a man's shoulder, shots that pan across and over while fixating on a woman's body, and close-ups on various body parts which show a man actively observing a passive woman.
the fact of showing or watching events or looking at women from a man's point of view: A recent series of feminist music videos attempted to challenge the male gaze.