A redeemed villain, otherwise known as a villain turned to the good side or former villain, is usually the end result of a villain exposed to a Purely Good hero, a Messiah, a Hope Bringer, and occasionally a Charismatic Hero. They are the exact inverted opposite of Fallen Heroes.
TV shows have featured antiheroes who are mobsters, drug dealers, crooked cops, and even serial killers. An antihero is kind of like a villain, or a mix of a hero and a villain.
Antagonists can be good. They just have to act in opposition to the protagonist. If you have a fallen hero like Macbeth, then an antagonist like Macduff is actually the 'good' guy in the story, who saves Scotland from the Macbeth once Macbeth has turned evil.
Villains can be incredibly memorable characters. They're the source of the conflict in your novel, and they've got beef with the novel's hero. Even if we hate the things they've done, we love a good villain because they're often the biggest source of drama within a story. Readers love drama.
Villain Characteristics Checklist:
He has many likeable qualities. He's a worthy enough opponent to make your hero look good. You (and your reader) like when he's on stage. He's clever and accomplished enough that people must lend him begrudging respect.
A redeemed villain, otherwise known as a villain turned to the good side or former villain, is usually the end result of a villain exposed to a Purely Good hero, a Messiah, a Hope Bringer, and occasionally a Charismatic Hero. They are the exact inverted opposite of Fallen Heroes.
The term "Heel Face Turn" comes from Professional Wrestling, in which an evil wrestler (a "heel") sometimes has a change of heart and becomes good, thereby becoming a "babyface".
Some findings suggest that the reasoning behind our attraction is it allows us to explore our personality's darker side without betraying our moral beliefs and convictions. Interestingly, the study showed that we favor characters whose traits are similar to ours.
DEUTERAGONIST DEFINITION AND EXAMPLES
Sometimes they support the main character. Other times, they oppose them. In many cases, they go back and forth within a single story. Ultimately, a deuteragonist should help the main character complete their character arc.
It all comes down to the choices they make, and in this case, a villain is a person who consciously chooses to work against the protagonist. It's our job to determine what their motivation is to figure out if they're truly evil or not.
Some villains are just plain bad. But an anti-villain could theoretically be the hero (or anti-hero) in the story if it was just told from a different perspective. This type of villain could genuinely believe their the hero of their story because what they're trying to attain is good.
The study found that site users favored characters with personality traits similar to their own. People with similar traits to non-villains were more likely to become fans of those characters, whereas people found villains more likeable if they shared similar personality traits.
Many of the villains know or feel that they've been wronged. Not necessarily by the heroes they fight, but often by the universe or system that endorses those heroes. When things turn around and the downtrodden finally get their turn at the top, it's enough to make even the most dour villain smile–such as Michael B.
This is a type of villain who (while they fight on the side of evil) still has at least some honorable traits. As such, they usually treat their foes and minions with respect and demonstrate some extent of mercy or fair play regardless of the outcome.
Your goal may be to illustrate the villain's dark side; however if you're not careful, the villain can read as disproportionately evil. Your villain should not be all bad all the time. In fact, he or she should have some good qualities. Perhaps he's funny, charming, and inspiring (to his minions).
Put simply, a sympathetic antagonist is a character who, despite their evil actions or awful ideals, is understandable.
verb (used with object)vil·lain·ized, vil·lain·iz·ing. to speak ill of; disparage; vilify: to villainize the wealthy.
The best villains are always the ones who are as dimensional and unique as the heroes. Compelling villains don't simply commit evil act—they lure the readers into loving them and doubting who they should root for in the story. For writers, the type of villain they use either complements or destroys the hero they have.
The villain of a story who either 1) poses as a hero at the beginning of the story or 2) simply possesses enough heroic characteristics (charisma, sympathetic past, physical attractiveness) so that either the reader or the other characters see the villain-hero as more than a simple charlatan or bad guy.
1. Darth Vader. And so we come to the villain you voted as the best of all time. Darth Vader often appears at the top of these lists, as the character has had more of a lasting impact than the blast that took out Alderaan.
A Pure Evil Villain must have no redeeming qualities. This type of villain cannot show empathy, compassion, regrets, remorse, or love for anyone. In addition, any actions out of genuine concern or for altruistic reasons are disqualifying factors and the villain cannot count as Pure Evil.
Revenge can be an excellent motive for a villain- they have been hurt or slighted (whether intentional or not) and now their goal is to make the ones who have hurt them pay.