Hamlet begins by insulting himself. 'O, what a rogue and peasant slave am I! ': Hamlet considers himself a 'rogue' (i.e. a cheat) and a 'peasant slave' (i.e. a base or low coward) for failing to do the brave and honourable thing and exact revenge on Claudius for his father.
Hamlet enters, speaking thoughtfully and agonizingly to himself about the question of whether to commit suicide to end the pain of experience: “To be, or not to be: that is the question” (III. i. 58).
In a soliloquy, Hamlet laments his inability to take action against his father's murderer while an actor can stir such emotion in a performance. He curses himself and despises his inaction, frustrated that he can't summon the necessary fury to kill Claudius.
Therefore, Hamlet's soliloquy, “now I am alone. O, what a rogue and peasant slave am,” portrayed as a coward because he felt he has done nothing to take revenge on Claudius. Throughout, the play persona of a hamlet, broke down into emotional roller coaster while he equivocates on avenge for his father.
To be or not to be
Hamlet is in a state of shock and grief as he has discovered that his father has been murdered by his uncle. Throughout this soliloquy, which happens at the start of Act 3 Scene 1, he thinks about whether he should face life's hardships head on or end them by dying.
In his second soliloquy Hamlet expresses severe hate towards himself; he believes that he is the only one to blame for his father's death. Hamlet does not seem to comprehend why he of all people has to avenge his father's death, and expresses himself as someone who is nothing. He assumes his life has no meaning.
Answer: In Act 3, Scene 1, in his soliloquy, Hamlet uses the word 'cowards' do refer to those who choose to live. Detailed answer: 'To be or not to be' soliloquy, spoken by Hamlet in Act III, scene 1, is probably the most famous speech in the English language.
Hamlet begins by insulting himself. 'O, what a rogue and peasant slave am I! ': Hamlet considers himself a 'rogue' (i.e. a cheat) and a 'peasant slave' (i.e. a base or low coward) for failing to do the brave and honourable thing and exact revenge on Claudius for his father.
At the start of the speech, Hamlet expresses that he feels like the world is accusing him of his weakness and inability to get his revenge.
Hamlet is seriously his own worst enemy. All that thinking, feeling, and brooding about his father's murder and his mom's sex life gets in the way of Hamlet's quest for revenge. In fact, Hamlet admits it: he says "Hamlet is of the faction that is wrong'd;/ His madness is poor Hamlet's enemy" (5.2.
Hamlet is cruel to Ophelia because he has transferred his anger at Gertrude's marriage to Claudius onto Ophelia. In fact, Hamlet's words suggest that he transfers his rage and disgust for his mother onto all women.
Hamlet uses this phrase while speaking to Ophelia in order to emphasize his belief, inspired by his feigned madness or not, that marriage is an institution that needs to be abolished. He tells her that she should become a nun, never marry, and never have children.
Hamlet compares himself to the Player: while the Player weeps for a person he never knew, Hamlet has so far done nothing to avenge his own murdered father. This contrast creates a whole new layer of doubt for Hamlet.
Hamlet remains sane throughout the entire play and uses his false insanity as a way of tricking Claudius and his cohorts. At no point during the play does Hamlet display signs of actually being insane, he simply uses the false pretense of insanity to attempt to achieve his goal of revenge.
Hamlet sees himself as stuck between various forces and elements. He has a duty to his father, but his mother is married to the murderer.
At the heart of Hamlet lies profound uncertainty and doubt. These are Hamlet's last words. Unlike many of Shakespeare's tragic heroes, Hamlet never resigns himself to death or embraces it. He spends his final moments imagining the world after his death and begging Horatio to 'report me and my cause aright' (V.
Self-Consciousness In Hamlet
In the final scene of Hamlet, Hamlet says “Being thus be-netted round with villainies, -- Ere I could make a prologue to my brains, they had begun the play” (Shakespeare 131). Hamlet ironically thinks to himself as a character in a play because he is so melodramatically self-conscious.
In Hamlet's seventh and last soliloquy, Hamlet berates himself for inaction. Notice how Hamlet's sense of himself is narrowing and hardening. His settled character is committed to violence. The effect of this alteration is a less innocent, less gentle and less generous person.
The soliloquy is essentially all about life and death: "To be or not to be" means "To live or not to live" (or "To live or to die"). Hamlet discusses how painful and miserable human life is, and how death (specifically suicide) would be preferable, would it not be for the fearful uncertainty of what comes after death.
The prince turns on himself and condemns his inability to take revenge for a beloved father, to feel passion akin to the First Player's put-on grief for Hecuba, to out-do Laertes in his grief for Ophelia. “Oh what a rogue and peasant slave am I” is his judgment on himself (II.
“To thine own self be true.” “Though this be madness, yet there is method in 't.” “Brevity is the soul of wit.” “There are more things in Heaven and Earth, Horatio, than are dreamt of in your philosophy.”
The Nunnery Scene
In this part of Act 3 Scene 1, Ophelia goes to return the gifts Hamlet gave to her in the past. He confuses her with mixed messages. One moment he says 'I did love you once', the next 'I loved you not'. He goes on to insult Ophelia and tells her to go to a nunnery.
Three adjectives that describe Hamlet are impulsive, confused, and emotional.
Hamlet hates himself, or is at least very harsh on himself, as much as he is hard on the women in his life.
All these are depressive symptoms and he has experienced events likely to precipitate depression: his father's sudden death, his mother's hasty marriage, and his disappointment in the succession.