Torvald's insistence on calling Nora by affectionately diminutive names evokes her helplessness and her dependence on him. The only time that Torvald calls Nora by her actual name is when he is scolding her.
From the beginning of Act I, Torvald calls Nora several pet names. What do these names suggest about Torvald's perception of his wife and his marriage? It shows he believes he owns Nora and is in control of the marriage.
Torvald calls her pet names "little lark", "little squirrel", and "Little Miss Extravagant". Nora is being treated like a cute little girl and she happily accepts the epithets.
Nora's use of Torvald's pet names for her to win his cooperation is an act of manipulation on her part. She knows that calling herself his “little bird,” his “squirrel,” and his “skylark,” and thus conforming to his desired standards will make him more willingly to give in to her wishes.
For started, the nicknames “little squirrel” was used by Torvald. When Torvald calls Nora a squirrel, it shows that he does not view his wife as another human, but instead, an…show more content…
He thinks Nora is always happy, never sad, and energetic-characteristics of the song bird (at least on the out side).
However, Torvald uses his forgiveness as an additional means of objectifying and controlling Nora by saying he now owns her doubly. He believes he has the power to make her a new person, showing how little he thinks of her and her ability to make anything of herself on her own volition.
The pet names Torvald uses for Nora are "little squirrel", "little featherhead", and "little skylark". These names indicate that Torvald feels that Nora is not person, but a thing or a doll.
Torvald Helmer has several pet names for Nora. What do they include, and what do they say about how he regards her? The names include "squirrel" and "skylark". They show that he sees her as a pet; a person whom he is above.
The main message of A Doll's House seems to be that a true (read: good) marriage is a joining of equals. The play centers on the dissolution of a marriage that doesn't meet these standards.
What do these names indicate about Torvald's attitude toward Nora? The pet names Torvald uses for Nora are "little squirrel", "little featherhead", and "little skylark". These names indicate that Torvald feels that Nora is not person, but a thing or a doll.
Torvald rarely addresses Nora by name, preferring instead to give her a host of pet names. Most frequently, he calls her “skylark” or a variety of other bird-related terms. He also addresses her by descriptions of her behavior, usually behavior he does not approve of, in a condescending sense of endearment.
As the play progresses, Nora reveals that she is not just a “silly girl,” as Torvald calls her.
About the word "little" he often uses in conjunction with his wife? Many of the names torvald uses for Nora are meant to imply that women are childish and "little" things with simple tasks. Torvald sees Nora as small, sweet, and easily controlled like a pet. He often uses this to demean her for the way she behaves.
Helmer's pet names for Nora include "little lark," "little squirrel," "little spendthrift," and "little featherhead." Each of these names has the word little included and this denotes a sense of superiority that Helmer has over Nora, as well as each of these names relate to animals and portray Nora as "little" and ...
When Torvald accuses Nora of not loving him anymore, Nora says his claim is true. She then explains that she realized that she didn't love Torvald that evening, when her expectation that he would take the blame for her—showing his willingness to sacrifice himself for love—wasn't met.
List pet names Torvald Helmer calls his wife, Nora. What does this use of pet names imply about their relationship? Little lark, sweet tooth, squirrel, prodigal, spendthrift, featherbrain, song bird; Torvald treats Nora as an inferior.
Nora is certain that beneath the role Torvald is playing, that he loves her just as deeply as she loved him when she secretly broke the rules of society.
Helmer calls Nora a skylark as a means to belittle and constraint her. Ironically the skylark symbolizes awakened freedom, hence it cannot be domesticated.
The meaning of the name Nora is Honor.
In every society power is the bringer of fortune and influence. In his play A Doll's House, Henrik Ibsen portrays, through the character of Nora, the power women are gaining in patriarchal societies. Nora, who symbolizes all women, exercises her power throughout the entire play.
He feels that she is incapable and too immature to handle a matter of such importance. Torvald sees Nora as a child. She is forever his little "sparrow" or "squirrel".
Torvald Helmer betrays his wife by not defending and understanding her when he finds out the secret she has been keeping from him. To her utter disappointment, Helmer tells her that he can work day and night for her, bear sorrow for her but no man would sacrifice his honour for the one he loves.
Torvald Helmer
He treats Nora like a child, in a manner that is both kind and patronizing. He does not view Nora as an equal but rather as a plaything or doll to be teased and admired.
Ibsen uses the symbol of birds in Torvald's dialogue to dehumanise Nora and enforce the unequal power between them. Following the dynamics of the 19th century Norwegian society, Torvald visualises Nora as an inferior being.