In music, especially modern popular music, a slash chord or slashed chord, also compound chord, is a chord whose
A “slash chord” is a guitar chord written with two letters separated by a forward slash. (They have nothing to do with the guitarist, Slash.) Examples include C/G, Am/C, or D7/C. The first letter is the actual guitar chord name, which can be a major chord or minor chord.
Slash chords are notated with a chord's standard chord symbol, followed by a forward slash, followed by the alternate bass note. For example, G/B or D7/F# are slash chords.
Slash chords are notated with a chord, a slash, and then a bass note. For example, D/F# is pronounced D over F#. The D/F# chord is a D major chord with an F# bass note. Many chords have a bass note other than the root, but the bass note is only specified when it matters.
Slash chords are chords in which a note other than the root note is in the bass position. You might think this sounds very similar to chord inversions and you'd be right. Slash chords, in many cases, are simply chord inversions written in slash notation. However, they don't have to be inversions.
In music, a major seventh chord is a seventh chord in which the third is a major third above the root and the seventh is a major seventh above the root. The major seventh chord, sometimes also called a Delta chord, can be written as maj7, M7, Δ, ⑦, etc.
A power chord is a two-note chord, with no major or minor quality to it. This is because power chords are just made up of the root and the fifth of the chord. The third of the chord, the part that usually gives the chord a major or minor quality, is left out of power chords.
A slash chord is a form of musical notation that indicates which note is played as the bass note. To begin using slash chords, take any other note in the chord or relative scale and place it in the bass. Whichever note you select will be represented after the chord name using a forward slash.
Typically, one slash indicates two notes should be performed in the place of the original note, two slashes would indicate four notes, etc. For example, a quarter note with one slash would be performed as two eighth notes, a quarter note with two slashes would be performed as four sixteenth notes, etc.
A mixed third chord, also split-third chord, includes both the major and minor thirds (e.g. C–E♭–E♮–G), although the thirds are usually separated by an octave or more.
The parallel chord (but not the counter parallel chord) of a major chord will always be the minor chord whose root is a minor third down from the major chord's root, inversely the parallel chord of a minor chord will be the major chord whose root is a minor third up from the root of the minor chord.
The name diminished refers to the interval between the root note (R) and the fifth note (dim5 or ♭5) in the chord. It's smaller compared with major and minor chords. That's what diminishing means—making something smaller.
Simply put, because the 8th, 10th, 12th, and 14th, are chord tones that are already present in the lower portion of the chord, not tensions that can be added like the 9th, 11th, and 13th.
Kurt Cobain used a variety of guitar picks throughout his career with Nirvana, but he was most commonly seen using medium-sized picks. He occasionally used large picks for a heavier sound, but he usually stuck with the medium size for a more balanced tone.
The slash just means “over the top of”. Then the second letter is the name of the note you'll play with your LEFT hand in the bass. So a G/B chord would be a G chord with your right hand and a B note with your left.
In music, especially modern popular music, a slash chord or slashed chord, also compound chord, is a chord whose bass note or inversion is indicated by the addition of a slash and the letter of the bass note after the root note letter. It does not indicate "or".